馬嘯天

 著名國畫家、文化學者馬嘯天先生,名驤(亦作襄),字嘯天,別屬澄懷堂主,專業上常年得到吳悅石、梁黃胄、黃永玉、黃苗子等前輩的教誨和影響。2007年出任榮寶齋顧問。現為中華文化促進會會員,中國畫研究會會員、中廣書畫院特聘院士、中國職工畫院院士、文化部藝術品資產管理規劃師、榮寶齋推薦畫家。

  • 中文名馬嘯天
  • 外文名Ma xiao tian
  • 別名澄懷堂主
  • 性別
  • 國籍中國
  • 民族
  • 祖籍北京
  • 出生地北京
  • 出生日期1962年
  • 職業藝術家,思想家
  • 座右銘探哲理虛懷若谷,看世界觀道澄懷
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高古雅思之名士豪情,布衣畫人——馬嘯天

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馬嘯天,名驤(亦作襄),字嘯天,別屬澄懷堂主;北京人,1962年出生,16歲開始從事傳統中國繪畫的學習。19歲參加全國性美術、書法、攝影大展并獲獎。而立后常年從事傳統中國書畫藝術的研究和探...
個人介紹

 馬嘯天,名驤(亦作襄),字嘯天,別屬澄懷堂主;北京人,1962年出生,16歲開始從事傳統中國繪畫的學習。19歲參加全國性美術、書法、攝影大展并獲獎。而立后常年從事傳統中國書畫藝術的研究和探討,作品多次被全國性媒體刊用發表。專業上常年得到吳悅石、梁黃胄黃永玉、黃苗子等前輩的教誨和影響。2007年出任榮寶齋顧問,近年畫風深受張大千先生影響。現為中華文化促進會會員,中國畫研究會會員、中廣書畫院特聘院士、中國職工畫院院士、文化部藝術品資產管理規劃師、榮寶齋推薦畫家。

狂者進取 解衣盤礴

  《論語•子路》:子曰:“不得中行而與之,必也狂狷乎。狂者進取,狷者有所不為也”。 古人以“狂”而進取,若進取遇阻,則以“狷”守。狂狷乃中庸之道,一張一弛實為文武之道所行。

《莊子•田子方》載:“宋元君將畫圖,眾史皆至,受揖而立,舐筆和墨,在外者半。有一史后至者,儃儃然不趨,受揖不立,因之舍。公使人視之,則解衣盤礴,裸袖握管。君曰:“可矣,是真畫者也。”

畫史傳唐人吳道子“每欲揮毫,必須酣飲”,酒酣之后作畫迅疾。明皇命其畫嘉陵江山三百里,竟一日而就,道子記憶超群,才思敏捷,作畫時旁若無人、筆飛墨舞。

宋人范寬作畫渾灑自如,筆墨如有神助,游刃有余,作畫亦做“解衣盤礴”態,并追求筆下以至“天地間無遺物矣”得創作心態。

石濤上人詩言:“漫將一硯梨花雨,潑濕黃山幾段云”。由此可鑒上人作畫亦求“解衣盤礴”之氣概,唯將天性與心性融通其身心,俱化合一。

傅抱石先生作畫,先舉杯狂飲,后閉門展紙蘸墨,落筆如風旋水瀉一般,揮掃之后小心收拾,畫畢再鈐“往往醉后”朱文閑章;大氣蓬勃中足見真率天性,作畫時也同樣追求氣勢磅礴更致廣大的境界,抱石先生真乃莊子所言之“真畫者也”。

潘天壽先生作畫,點石三筆五筆,畫樹勾花,下筆果斷毫不遲疑。所謂“當其下手風雨快,筆所未到氣已吞”正如其人,潘翁作畫筆墨雄渾剛健霸悍,技藝純熟勃發天機,常將胸藏萬物落于紙上,盡顯心性……。

蜀人張爰大千先生繪事,畢生感人頗深。而立上溯宋元,下至明清。不惑則雄踞民國畫壇第一人。天命后移居海外,獨以一己之力搏西方畫壇,花甲間榮登“世界第一畫人”榜首。古稀后眼疾加重,目視字距近貼眉宇,雖遭眼疾之害,仍將中華丹青絕技與西方繪藝渾然一體。更有將德意志石版畫技與潑彩潑墨運籌帷幄于天地萬象。正如爰翁語錄大意所言:“畫者即為造物主,天地萬物任由其筆性所致……”。爰翁耄耋年邁后,為繪《廬山圖》巨制,耗時三年之久,竟在畫作題款時累發心病,送醫不久與世長辭……,該等情形確如悲鴻先生所譽“五百年來第一人”贊許有嘉。

余自弱冠進階繪學啟蒙,初以二王入書,后以明清諸家傳統入畫。甲子年幸遇悅石先生并從其問學師范,時常感受先生慷慨呵護,授業友之……。今悅石先生雖年逾古稀,禪心儒韻,高古通神,師古人更師造化。文雅心性風流高致,物我兩忘平淡所為,丹青法度了然心中;先生作畫喜據德依仁,沉著豁達并把握懷情,發心力,現天機,窮筆墨微妙與造化融通,痛快淋漓間躍然紙上,盡呈璀璨無窮萬象之功。近聞先生以十張丈二接拼巨紙,所繪山水巨制將天地萬物與人品才學附和其中,堪為當今繪史之楷模,與其為師問學,實乃后學三生之幸。

余亦曾與當代宗師何瀛海霞、梁黃胄、黃苗子、黃永玉等諸老忘年為友,借近身問學之際,乞獲些小雕蟲把戲,沾沾自喜于繪事與虎謀皮。天命間才沉夢初醒,為再證六法而傳移模寫諸家師范。因長從繪事所托,潛心畢至,窮及傳統,力倡頤養書卷心性, 自我主張復興“六法”,借其準則而放浪形骸,暢抒己懷。自詡“澄懷堂主”,纂銘座右:“探哲理虛懷若谷,看世界觀道澄懷”。因崇尚魏晉風度而抱節守志,更以“狂者進取之心”操“借師還魂”之術。

正如黃公苗子為永玉先生作詩所云:“老子胸中渣滓盡,山之半居看浮云”。若無“解衣盤礴”之勢,難除胸中渣滓之俗,世俗腐氣不去,書卷之雅亦曾何來。即為后學,理當精研繪史典籍及前輩模范,泥古且不拘古。為畫者應有灑脫率真之天性,勿拘門第宗派之別,博采眾長抒寫胸中爛漫,若能修成畫藝超群之時,方可登堂入室,步入大道之行也。

丙申初夏 嘯天馬襄并識于澄懷堂晴窗

人物評價

 中華文化促進會王石主席短評

嘯天你好,畫與信都收到,都喜歡。士別三日倘須刮目,三年三十年又作何論?雖少聯絡,但你我交情不薄,起碼足夠寫點什么!終于想要告罪的原因,絕不是因為你的畫作欠佳,而是因為我對于繪畫,實在沒有什么值得形之為文的見解。先前說過別人的畫,也是勉為其難,說過之后心虛得很。總是怕人笑話。相識以今,我只覺得你于書畫,似乎從未改變過熱愛,改變過關注,恐怕私下里也從未放棄過習作,見識既廣,積累也厚,出手自不凡庸,覽讀之下,竟有一種說不清的大家之氣!作為老友,真是深以為羨!除了這,實在不知還能說些什么。

祝一切好!

王 石

2016年6月19日

吳悅石為馬嘯天畫集作序

 

嘯天聰穎好學,曾優游于京城諸老間,得聞無上妙法。一九八四年問學于我,乃精研筆墨,疏證六法,一時為京中俊彥。其后浮身商海,雖不忘丹青,亦疏闊久矣。今重拾筆翰,再證風騷,歲月歷練補益尤多,識見之富已非昔日。近年精研髯翁妙筆,可謂極慮專精,余韻綿長。嘯天結集刊行,故簡序之。

吳悅石 乙未寒露節

 

師法的感悟—我所認識的馬嘯天

作者簡介:田玉武,歷任中學教師、盤山人民廣播電臺記者、盤山電視臺廣告部主任、電視臺副臺長、盤山縣廣播電視局副局長。1988年起在報刊上發表詩歌、散文。

京城畫家馬嘯天,談不上是那種有“組織”有“背景”的畫家,他不但無證上崗,也沒有參加過任何縣、鄉、村等機構所組織的小展,更別提什么省展、國展了,亦沒得過任何獎牌,可他也不是什么大棚里培育的苗子,他是正在曠野中自然成長的一棵大樹!既然如此,我便趁此良機給這棵大樹澆上幾瓢清水吧!

 

與嘯天相識已有些年頭了,還在我們未曾謀面的時候,我己在京城眾多書畫界朋友們家的玉壁之上,被他的書法作品所打動。后來,我們有幸相識,見面后才知道他不但書法寫得好,畫也畫的十分了得。 嘯天性格開朗,與當代諸多藝術大家廣有交流,可謂眼高藝不俗。尤其是對藝術理論有自己獨到的見解。並形成了自己獨特的藝術觀點。

Introduction in English

 Mr. Ma Xiaotian, a well-known Chinese painter and cultural scholar, is also known as Xiangtian. He is the master of Chenghuai Tang. He has been taught and influenced by Wu Yueshi, Liang Huanghuang, Huang Yongyu, Huang Miaozi and other predecessors all the year round. In 2007, he served as Rong Baozhai's consultant. Now he is a member of the Chinese Culture Promotion Association, a member of the Chinese Painting Research Association, a specially appointed academician of the Zhongguang Academy of Calligraphy and Painting, an academician of the Chinese Workers'Academy of Painting, an asset management planner of the Ministry of Culture, and a recommended painter by Rong Baozhai.

 

Ma Xiaotian, also known as Xiangtian, is the owner of Chenghuai Tang. Beijing native, born in 1962, began to study traditional Chinese painting at the age of 16. At the age of 19, he participated in national art, calligraphy and photography exhibitions and won prizes. Since then, he has been engaged in the research and discussion of traditional Chinese painting and calligraphy art for many years, and his works have been published by the national media for many times. Professionally, he has been taught and influenced by Wu Yueshi, Liang Huanghuang, Huang Yongyu, Huang Miaozi and other predecessors all the year round. In 2007, he served as a consultant of Rong Baozhai. In recent years, his painting style has been deeply influenced by Mr. Zhang Daqian. Now he is a member of the Chinese Culture Promotion Association, a member of the Chinese Painting Research Association, a specially appointed academician of the Zhongguang Academy of Calligraphy and Painting, an academician of the Chinese Workers'Academy of Painting, an asset management planner of the Ministry of Culture, and a recommended painter by Rong Baozhai.

 

Yu has also been friends with contemporary masters He Ying Haixia, Liang Huangqi, Huang Miaozi, Huang Yongyu and other old people who have forgotten their age. By virtue of close learning, he has begged for some small carving tricks and is proud of painting and tiger tricks. In order to prove the Six Facts again, the model was transferred and written in Zhujia Teachers'College. As a result of long entrusted by painting, dedication, poverty and tradition, advocate self-reliance, self-advocate the revival of the "Six Ways", with its criteria to wander and express their own feelings freely. Self-praised "Chenghuai Hall Master", compiled the right inscription: "Exploring philosophical theory and looking at the world outlook Chenghuai". Because of advocating Wei and Jin demeanor and keeping one's mind, he also practiced the skill of "borrowing teachers to return one's soul" with "the enterprising heart of the madman".

 

Just as Huang Gong Miaozi wrote poems for Mr. Yongyu: "Lao Tzu's chest is empty of dregs, and half of the mountains are floating clouds." Without the trend of "unloading clothes and trays", it is difficult to get rid of the dregs in the chest, the secular decay, and the elegance of books. That is to say, he should study and draw historical classics and models of his predecessors carefully, sticking to the past and not sticking to the past. For the painter should be free and straightforward nature, do not stick to the different sects, learn from all the long-standing expression of the thorax, if you can cultivate excellent painting skills, you can enter the hall and enter the road.

Bingshen early summer whistling day Ma Xiang and know in the clear window of Chenghuaitang

 

A Brief Comment on Chairman Wang Shi of the Society for the Promotion of Chinese Culture

Hello, Xiaotian. Paintings and letters have been received. They all like it. What about three or thirty years of scholarly farewell? Although few contacts, but you and I are not weak friendship, at least enough to write something! The reason why I finally wanted to plead guilty was not that your paintings were not good, but that I had no idea about painting. Previously, I said that other people's paintings are also reluctant to make it difficult. After that, I feel very guilty. Always afraid of jokes. Acquaintance with today, I only think that you in painting and calligraphy, it seems that you have never changed love, attention, I am afraid in private never give up the exercise, knowledge is broad, accumulated and thick, from extraordinary, read, there is a kind of ambiguous atmosphere of everyone! As an old friend, I really envy you! I really don't know what else to say besides this.

 

Good luck!

 

Wang Shi

 

19 June 2016

 

Mr. Wu Yueshi Preface to Ma Xiaotian's Paintings

 

Xiaotian is intelligent and eager to learn. He has been a good swimmer among the old ladies in the capital city, and has never heard of any magic tricks. Learning from me in 1984, he studied pen and ink carefully, dredged six methods of evidence, and for a time was Junyan in Beijing. Afterwards, he floated in the sea of commerce, though not forgetting the youth, but also sparse for a long time. Nowadays, when we pick up our pen and prove our style, we have gained more benefits from years of experience, and the wealth of insight is no longer what it used to be. In recent years, intensive study of shaven Weng Miaobi can be said to be extremely specialized, lasting rhyme. Xiaotian collects and publishes, so it's in a brief order.

Wu Yueshi Yiwei Cold Dew Festival

The Sense of Teacher's Method-Ma Xiaotian I Know

Author's brief introduction: Tian Yuwu, a successive middle school teacher, Panshan People's Radio reporter, Director of Advertising Department of Panshan TV Station, Deputy Director of TV Station and Deputy Director of Panshan County Radio and Television Bureau. Since 1988, he has published poetry and prose in newspapers and periodicals.

Ma Xiaotian, a Beijing painter, is not the kind of painter who has "organized" and "background". He has not only worked without a certificate, nor participated in any small exhibitions organized by county, Township and village organizations, let alone provincial and national exhibitions, nor won any medals, but he is not a seedling cultivated in a big shed. He is a big tree growing naturally in the wilderness! In that case, I will take this opportunity to water the tree with a few ladles of water.

I have known Xiaotian for several years, and I was touched by his calligraphy works on the jade wall of many friends in the field of calligraphy and painting in Beijing before we met. Later, we had the pleasure of meeting each other. It was only after we met that he not only wrote well in calligraphy, but also painted very well. Xiaotian has a cheerful personality and has extensive exchanges with many contemporary artists. It is said that he has a good eye for art. Especially, they have their own unique views on art theory. And formed its own unique artistic point of view.

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