Long Rui (1946.8 -) under the name of the dragon, Shu people. Chengdu Sichuan people. 1966 graduated from Beijing arts and crafts school, after more than 10 years of art and design.
In 1979 he was admitted to the Chinese Painting Department of China Central Academy of Fine Arts, and graduated from the Chinese Artists Association after graduation,
1981 to participate in "the Sixth National Art Exhibition", "Shan school" works of excellence award.
1985 Chinese Painting Institute of painting as a full-time painter, was deputy director of the hospital business, associate researcher.
Member of China Artists Association, director of Oriental Art Exchange Association is good at landscape painting.
Now the director of the Research Institute of China Institute of Chinese painting painting, first class artist, member of Art Committee China Chinese Painting Art Association, the national young experts with outstanding contributions.
Works of "Shan" Aggie selected the sixth national excellent works exhibition, "Yan autumn fun" selected second Society for oriental art exchange exhibition, "the mountains are tree" won the 1988 Beijing international ink painting exhibition award. His works have repeatedly participated in the exhibition abroad. 1988 held a solo exhibition in Hefner Gallery, New York. The publication of "ink painting", "Long Rui autumn harvest - Longrui landscape painting album".
1986 went to Hongkong to participate in the Oriental art exchange exhibition, works for Mr. Bao Yugang collection.
1987 to participate in Japan's modern ink painting art exhibition won the award.
In 1987, China National Academy organization "Chinese painting research association".
In 1987, China held the "National Academy of China landscape painting".
1987 in New York, Hefner Gallery held "Long Rui ink painting exhibition," and received the honorary citizenship certificate.
1988 to Paris, France, UNESCO headquarters organized by the Chinese Ministry of culture, "modern Chinese painting exhibition".
1989 held in Taiwan dragon ink painting exhibition".
1990 with the Chinese painter delegation to Thailand to participate in Contemporary Chinese Artists Exhibition fifteen".
1991 to the National Palace of art held in Seoul, China painting representative writers exhibition".
Mandela international Adenauer foundation in 1992 should be invited to go to Germany, Berlin palace held China modern ink painting exhibition".
In 1993, he went to Taichung Art Museum in Taiwan to participate in "Modern Ink Painting Exhibition" and academic seminar.
Planning and participating in "tension experiment" in 1994 -1995 -- performance ink painting exhibition".
China in 1996 to commemorate the sixty anniversary of the victory of the long march of the Red Army, the organization of the well-known landscape painter in Jinggangshan painting creation, and hold the "Jinggangshan large landscape painting exhibition" in Beijing, Nanchang, Zhuhai and other places.
1996 - two visit to Italy and Spain in 1997, and held "modern Chinese painting exhibition".
1997 to participate in the new literati exhibition".
1998 to participate in "Heshan fourth painting exhibition", "98 China landscape painting exhibition", "contemporary China landscape painting & oil painting exhibition".
1999 to participate in the end of the 20th century Chinese painting famous painter twenty-one exhibition".
2000 to participate in the splendid China Wanli - Lijiang painting exhibition". 2001 to participate in the "beautiful China Tour - Taihang Article Exhibition", "gathering in Western art exhibition.
2002 to participate in the two OO National Exhibition of China in two years".
2003 to participate in the "Beijing International Biennale", "the second national art exhibition China".
February 2011 any Chinese Academy of landscape painting dean.
Longrui landscape, originally modeled after Li Keran, Liang Shunian and so on, pay attention to painting, but he began to love the powerful pen line color without special fondness for chapped, repeated rendering. In late 1980s, he repeatedly went to Europe and the United States of art, the concept of change, decided to "jump out of shape bound", created a number of works on, and started with the realistic landscape distance, highlighting the visual tension, become one of the representative of the landscape painting innovation. Since 1990s, he gradually to the tradition, the pursuit of spirit and taste. The process of regression change, more vigorous strokes free, masculine fusion gas shrouded picture, personality features, traditional charm and modern, but also more clear and unified.
Long Rui was born in Chengdu, studying in Beijing, South north. North and South and the comprehensive quality in his paintings can see: broad and bright weather pen is exquisite, long and tall mountain scenery vivid and pleasant, the Qi and Wu Yue Yanzhao kangkaibeige flyfox as a furnace smelting, can also be Guizhou and Sichuan mountain weather with a pot of red hook against the city street. The ink is pale thick, yet graceful but not showy doors wide open, the pattern of the transition, but subtle.
Long Rui is the basis of Arts and crafts design, so his composition, design Abstract consciousness than ordinary Chinese painters to be sensitive. Talk about "in the painting" years, "" the word became fashionable, and people to "constitute" understanding and emphasis on the plane geometry, so whether it is painting or traditional China ink, everyone in the plane "composition", all kinds of rigid geometry cut organic the images in the picture into large and small restrictions and fetters. Long Rui all his craft design foundation at this time also come in handy. But so get a few years later, he found that the brush and ink painting geometry simply some rather baffling "Qiyun enough", Long Rui with 4 words gently to the end of the game
Long Rui is not a paranoid, but a neutral quality of the integration of the painter. From a variety of performance since his debut in 80s can clearly see him fully inclusive and equitable temperament. He can be quite an important member of avant-garde "tension experiment: expressive ink painting exhibition", also is to stick to the traditional pen and ink taste "new literati painting" net objects, can also be a concept and language level is the "landscape painting" backbone. Nobody seemed to want to miss him, and he didn't want to be with anyone. When the main melody or Exhibition Commemorative occasions his work, he could draw the splendid China for a biography of great momentum, the motherland of the awe inspiring righteousness not to let people. When the little brother playing words make him appear more relaxed mood of life on the edge, he the Shu people humor can also come in handy. The current health of artists with deep hatred and resentment to the ink and wash painting in the concept and language behind the trend of the world, he also feel the responsibility on their shoulders, and planning in the private room, exposing the wall in the exhibition hall.
Long Rui is not a satisfied, rest on our laurels, he had an active thought, savvy and strong ability, broaden their horizons. In the words of critic Lang Shaojun: Long Rui is one of the few artists who is very hopeful to achieve a breakthrough. Because he has gone through a tortuous and repeated journey, the eastern and Western art as a whole have a clearer understanding, and more conscious and mature. As a powerful painter, Long Rui through the obvious achievements of creation, wordless exposition of their own ideas and values. When the development of China painting need special historical situation rallied in the profound reflection of his artistic pursuit especially suggests a quite practical example way.